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SUGAR PRESS
TAZ WORLD by Jim "TAZ" Evans
Artist: Jim "TAZ" Evans Title: TAZ WORLD Edition: Archival pigment print on 100% recycled Sugar Paper, from an edition of 10 Size: 18x18 inches Markings: Hand signed and numbered with Sugar Press chop mark Date: 2022
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SUGAR PRESS
Walk This Way by CES
Artist: CES Title: Walk This Way Edition: Archival pigment print on sustainable Bamboo Paper, from an edition of 10 Size: 20x16 inches Markings: Hand signed and numbered with Sugar Press chop mark Date: 2022
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SUGAR PRESS
Black Rabbit by Dave Pressler
Artist: Dave Pressler Title: Black Rabbit Edition: Archival pigment print on sustainable Bamboo Paper, from an edition of 15 Size: 42 x 12 inches Markings: Hand signed and numbered with Sugar Press chop mark Date:...
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SUGAR PRESS
Nacho King by Tanner Goldbeck
Artist: Tanner Goldbeck Title: Nacho King Edition: Archival pigment print on sustainable Bamboo Paper, from an edition of 10 Size: 20x16 inches Markings: Hand signed and number with Sugar Press chop mark Date: 2022
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SUGAR PRESS
Electrical Wiring Made Easy by Brian J. Hoffman
Artist: Brian J. Hoffman Title: Electrical Wiring Made Easy Edition: Archival pigment print on sustainable Bamboo Paper, from an edition of 10. Size: 20 x 16 inches Markings: Hand signed and numbered with chop mark. Date:...
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SUGAR PRESS
#7 Reporting for Duty by Dave Pressler
Artist: Dave Pressler Title: #7 Reporting for Duty Edition: Archival pigment print on 100% recycled Sugar Paper, from an edition of 20 Size: 10 x 6 inches Markings: Hand signed and numbered with Sugar Press chop...
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SUGAR PRESS
Still Life with Furbies by Nikita Arefkia
Artist: Nikita Arefkia Title: Still Life with Furbies Edition: Archival pigment print on sustainable Bamboo Paper, from an edition of 10 Size: 20 x 16 inches Markings: Hand signed and numbered with Sugar Press chop...
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SUGAR PRESS
Mazinga by Guerin Swing
Artist: Guerin Swing Title: Mazinga Edition: Archival pigment print on recycled cotton rag, from an edition of 25. Size: 18 x 18 inches Markings: Hand signed and numbered with chop mark. Date: 2023
SUGARPRESS ARE GO
SUGARPRESS ARE GO, ARTISTS WHO LOVE TOYS taps into popular culture and our collective unconscious to make a connection with the viewer, placing them in a moment compelling to the artist and enlightening for our time and viewer.
DESIGNERCOM is the annual art and design convention that mashes up collectible toys and designer apparel with urban, underground and pop art. The new exhibit SUGARPRESS ARE GO is the perfect fit, featuring prints by Jim “TAZ” Evans, CES, Dave Pressler, Tanner Goldbeck, Brian J. Hoffman and Nikita Arefkia.
Toys have been used in and as art for centuries. Leonard Da Vinci’s lion robot, the toys we find today in archeological digs, toys represented with children in portraiture, are a few. Chess sets, as far as back as the 6th century are considered art, then Calder invented mobiles to make his work playful, and more recently Koons has supersized toys, making them art.
In our time, the merging of collectable toys and art was brought into mainstream and mastery by Murakami’s joyous, color filled work, which transcends the page, wall and object, touching something eager and happy in the mass collective unconscious. Murakami was perfectly timed as he taped into the new social media phenomenon sweeping the earth with an entirely new “smily face.”
DESIGNERCOM is the annual art and design convention that mashes up collectible toys and designer apparel with urban, underground and pop art. The new exhibit SUGARPRESS ARE GO is the perfect fit, featuring prints by Jim “TAZ” Evans, CES, Dave Pressler, Tanner Goldbeck, Brian J. Hoffman and Nikita Arefkia.
Toys have been used in and as art for centuries. Leonard Da Vinci’s lion robot, the toys we find today in archeological digs, toys represented with children in portraiture, are a few. Chess sets, as far as back as the 6th century are considered art, then Calder invented mobiles to make his work playful, and more recently Koons has supersized toys, making them art.
In our time, the merging of collectable toys and art was brought into mainstream and mastery by Murakami’s joyous, color filled work, which transcends the page, wall and object, touching something eager and happy in the mass collective unconscious. Murakami was perfectly timed as he taped into the new social media phenomenon sweeping the earth with an entirely new “smily face.”